Ghosts in the House - The New Yorker.
Hilton Als Right. CF So Hilton,. And not being, really, an American. I like Ellison’s essay for Ellison—as a turn of his mind, but not for me. I never felt invisible; in fact, when you come from a family as large as the one I come from, you’re always under scrutiny. Writing was a way for me to learn how to observe without being observed—almost a relief. One of the things I wanted to.
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Most books make a contract with the reader, but Hilton Als knows that to read without a contract is the best way to discover new shades of thought. He is a poet on the page, and his insistence on breaking the essay form defines his liberation as a writer. The triumph of.
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Hilton Als began contributing to The New Yorker. (Penguin, early 2021), a book length essay on his experiences in AIDS era New York. Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary.